How Early Bourbon Made the Leap from Bulk Barrels to Branded Bottles

Better quality, larger capacity, and a growing global reputation set the stage for the biggest leap for the bourbon whiskey style in the mid-1800s: branded bottles.
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Today, bottled bourbon, complete with carefully designed labels and sophisticated marketing campaigns, is so commonplace it hardly warrants a second thought. Yet that innovation – branded, bottled bourbon – is actually a relatively new one, and early entrants to the market had an intuitive understanding of what motivated spirits consumers to pick one bottle over another.

Setting the Stage

It was 1840, and bourbon was on the move. The hallmarks of modern bourbon were starting to coalesce, but it would be a century before bourbon completed its gestation into its current standard of product identity. Laws stipulating a minimum of 51% corn were enacted May 13th, 1935, and storage in new charred white oak barrels was required from March 1st

Bininger Bourbon Breaks Down Barriers

Bursting onto this primordial bourbon scene was Abraham Bininger. The family emigrated from Zurich settling in South Carolina in 1735. They acquired a New York City grocery store in 1778 expanding into a grocery chain and wholesaling business. By the 1840s A. M. Bininger & Co. entered into wine and spirits wholesaling, selling bottles of Bininger Cognac and Old London Dock gin. In 1849 they added Bininger’s Old Kentucky Bourbon Reserve 1849, distilled in 1848. Unlike early bulk or barrel bourbon brands, such as Old Joe’s from Joseph Peyton’s Kentucky distillery circa 1818, this was the first bottled brand of bourbon. Their advertising claimed it was not rectified and promised to cure ‘lung complaints, dyspepsia, derangement of the stomach, nervousness, etc.’ – a case of bourbon as medicine.

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Original square bottle and paper label (1849 – 1858) (image: Peachridge Glass)

 In 1858, the brand received a glamorous revamp. Adding to Binninger’s Old Kentucky Bourbon square medicinal gin bottle, they customized a new range of shaped glass bottles as barrels, canons, and hip flasks called pocket bottles. They also designed new four-color lithographic labels depicting evocative images which positioned each bourbon towards a different audience. The bottled bourbon competition was starting to become a branding race to attract attention. The original wholesome, Old Kentucky Bourbon 1849 Reserve joined the sensual and romantic designed Bouquet Bourbon. The famous Parisian ballet became La Sylphide Bourbon. American frontier archetypes were evident with Pioneer and Traveller’s Guide Bourbons. And there was the foreign exoticism of Zouave Bourbon, depicting French Algerian soldiers. In the modern parlance, they had created the first brand portfolio targeting audiences including women, discerning drinkers, manly outdoorsman and presumably the urban dandy too. In 1863 they added Golden Crest Bourbon. In the 1860s, Bininger’s bourbons were sold at leading grocers and druggists south to Georgia, north to Vermont, across to Michigan and west to Oregon. Modern, national bourbon branding had arrived with panache and imagination.

In addition to traditional bourbon, they launched a wheated bourbon, Essence of Virginia in 1859. From Pennsylvania came Bininger’s Monongahela Rye, as well as Old Times Family Rye and Old Homestead Rye bolstering their whiskey portfolio. Amongst these spirits brands, they had an Old Rip Van Winkle gin.

Vintage whiskey labels

The Format Catches On

Bininger’s bourbons soon saw other wholesalers and liquor agents bottling bourbon brands: Weeks & Potter’s Copper Distilled Pure Old Bourbon (1853, Boston), John Mill’s Bourbonia (New York, 1857), John Brown’s Pure Bourbon (Boston, 1859), Star whiskey (William Crowell, New York, 1860), Standing Horse (Salt River bourbon from Jefferson County, Kentucky c1859) and Blake & Hall’s Old Bourbon Whiskey (Greenup Kentucky), plus other city druggist brands. Bottled bourbon was not limited to America. James Maxwell of Albemarle Street and Piccadilly, London sold Bourbon and Monongahela only by ‘bottle stock’ from December 1858 throughout England. In Australia, dozen-bottle cases of Old Bourbon whisky were for sale, probably J H Cutter bourbon from Louisville.

Melbourne Argus May 23rd, 1857, dozen cases & Medical Time & Gazette, September 10th, 1859, by the bottle

Another notable early bottled bourbon brand was Monk’s Old Bourbon in Boston, sold by the druggists Wilson Fairbanks & Co on Hanover Street from 1856. This medicinal bourbon remained on the market for over a decade and enjoyed product quality testimonials from the State Assayer’s Offices in Boston and New York. Not until 1916 did the U.S. Pharmacopeia strike whiskey off its list of prescribed medicines.

Monk’s Old Bourbon Whiskey by Wilson, Fairbanks & Co ‘For Medicinal Purposes’. Paper label or ‘wrapper’ on bottle circa 1857, possibly the only existing bourbon label from the 1850s.(Image: Peachridge Glass)

The enterprising Udulpho Wolfe began selling Wolfe’s Pure Bottled Bourbon in 1863 in New York. This Kentucky bourbon sourced from a Louisville agent was distilled by ‘two of the largest and oldest distillers in Kentucky’. Born in Richmond Virginia, he was involved in the Hamburg gin distillery before returning to New York where he formed Wolfe & Co with his brother in 1826. He contracted the Blankenheymo & Nolet Distillers in Schiedam to produce his Aromatic Schiedam Schnapps from 1848, using his special recipe based on malted barley and Italian juniper. The 1906 Pure Food and Drug Act brought this, and many spirit brands posing as therapeutic or medicinal tonics, to an abrupt commercial end.

By the 1860s, bourbon branding had blazed onto the consumer landscape as the most sophisticated and persuasive in packaging innovation and labelling design. In its way, bourbon heralded the modern age of consumer marketing.

Chris Middleton

Chris Middleton brings a unique perspective to the world of whiskey, combining his extensive industry experience with a passion for writing about the spirit. With an international career spanning the whiskey industry, Chris offers an insider's understanding of the history, production, product innovation, and cultural marketing of whiskey from manufacturing countries such as Scotland, Ireland, North America, and his home in Australia. His roles have included serving as global director for a leading whiskey brand, founding director of STARWARD whisky, and involvement in various distillery ventures. This wealth of experience fuels Chris's ongoing investigation into whiskey's past, present, and future.

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