Scotch

Whisky Review: Auchentoshan 1979 (32-Year-Old)

The Auchentoshan 1979 was made by one of just four remaining Lowland distilleries. Should we pine for the Lowland's days of glory gone by?

OVERALL RATING

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Tasting Notes

About:

50.5% ABV; aged 32 years in a single Oloroso cask.
Appearance:
Antique Mahogany with flaming accents of gold.
Nose:
Fruits and spices rise to power; the first-fill Oloroso sherry butt works its magic by delivering figs, licorice, golden raisins, walnut liqueur, and beeswax. Now, the old wood raises its head a bit defiantly to offer white pepper, Honduran cigar wrapper, and cedar. That time-worn cliche of Christmas cake cannot be denied . . . and, yes, there’s dried mint leaf, as well.
Palate:
At first taste, the mouth feel seems fairly creamy. Mild heat works its magic upon the roof of the mouth and throat. Thirty two years passed in a decadent sherry cask means that the angels have taken their share, leaving behind a rather complex array of tastes. Time’s winged chariot delivers all manner of sweetmeats–from gooey aged persimmon to figs to marzipan to medjool dates. There’s also a cinnamon bark note. It passes over the tongue, and then is absorbed upwards, into the sensitive oral tissues, with a kind of substantial woodiness, offering more than is typically meant when the word “cinnamon” is used in a whisky review. On the back end of the palate, Anaheim chilies and salted caramel duke it out, like two playful imps, within the amniotic flames of one hundred proof fire-water. Finish: Quite long on the tongue, this finish is a bit labored due to some heat in the spirit, as can be expected at cask strength. This said, it only has two percent more ABV, but its burn is more noticeable than the comparatively mild Highland Park 40-Year-Old. One is left with minty oak, some dried fruits, and burning cigarette tobacco . . . along with a haunting impression of menthol on the death, which lingers beyond all else, almost as if one finished smoking a menthol cigarette about a quarter of an hour earlier. Alcohol heat serves as an accomplice to give the false impression of tar left on the tongue from vanished smoke. I must confess that I’m not terribly enchanted by the “mentholated” death of this whisky. It will cost my rating a few points, unfortunately. Water brings out more beeswax, as well as sugar pine wood in the nose, which is interesting. It also changes the finish fairly dramatically, reducing that rather stark menthol flavor at the death. Regrettably, it also sacrifices many of the best qualities on the palate, at least for me. Final Thoughts Triple distilled whiskies, when good, can be really good, but they can also be lackluster. This rather involved form of distillation (no time to explain it here) has always been common to Lowland whiskies. It was quite popular back in the mid-19th Century, when practically every town in the Lowlands region of Scotland had at least one distillery. Today, Springbank distillery from Campbeltown offers a triple distilled line of whisky called “ Hazelburn .” One can thus compare Hazelburn to other Springbank whiskies that have not been triple distilled. This offers a rare opportunity. Discerning critics can decide for themselves if they like the effects of triple distillation, at least in the case of Springbank whiskies, which have the same distillery character in common with each other. My verdict has been that I don’t generally like the effects of triple distillation. Some of the charming idiosyncracies can get purified right out of the final product, leaving less bawdy character to enjoy. For me, this difference was especially apparent in the Rundlets and Kilderkins series, which served to illustrate how distillation can affect the way a whisky interacts with wood in the casks. As I’ve said, when triple distilled whiskies shine, they can be quite illuminating to smell and taste. Of the mothballed distilleries in the Lowland region of Scotland, Ladyburns, Rosebanks and Littlemills can sometimes be downright phenomenal. However, it’s worth adding a caveat: these days, the good ones cost a pretty penny. Because my wallet is not as fat as many collectors’, I’ve tended to keep my eyes peeled for low profile IB releases from the likes of Berrys’, Gordons & Co., Blackadder, Signatory, and Hunter Laing. As for the triple distilled single cask 1979 Auchentoshan 32-Year-Old currently being reviewed . . . I can report the venerable old fellow came close to being a worshipful master, and then, sadly, disappointed as the result of a slight defect–in this case, his finish. Does this mean that I will “abandon all hope” when it comes to Auchentoshan? Oh, hell no. It’s still on my radar. Speaking of which . . . enjoying a sample of triple distilled whisky from a rather large, thirty-two year-old Oloroso sherry cask was my distinct pleasure. Score: 89/100 [ SHOP FOR A BOTTLE OF AUCHENTOSHAN 1979 ]
Finish:
Quite long on the tongue, this finish is a bit labored due to some heat in the spirit, as can be expected at cask strength. This said, it only has two percent more ABV, but its burn is more noticeable than the comparatively mild Highland Park 40-Year-Old. One is left with minty oak, some dried fruits, and burning cigarette tobacco . . . along with a haunting impression of menthol on the death, which lingers beyond all else, almost as if one finished smoking a menthol cigarette about a quarter of an hour earlier.
Comments:

Editor’s Note: This whiskey was either bought as a sample by The Whiskey Wash or provided to us as a review sample by the party behind it. Per our editorial policies, this in no way influenced the outcome of this review.

Whisky Kirk

Kirk Sig's fascination with Scottish whisky ignited in 1987 during a visit to Edinburgh. In the ensuing three and a half decades, he has cultivated an extensive understanding of distilleries, the whisky industry, and the global whisky landscape.

Kirk prides himself on providing candid and unvarnished reviews, eschewing the prevalent flattery and fluff that often permeate whisky commentary. This direct approach has occasionally ruffled feathers in influential circles, which he views as a testament to his commitment to prioritize the interests of the consumer.

Embracing the spirit of investigative journalism, Kirk's reviews delve deeper, leaving no stone—or cask—unturned. He believes in transparency and ensures that readers are privy to any noteworthy findings, fostering an informed and empowered whisky community.

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